Gedunkelfloxx Obsidian

René Stiegler and Markus Sworcik
21.09.—15.10.2023
Steirischer Herbst HUMANS AND DEMONS 2023, Graz, Austria

Photography: Markus Sworcik and René Stiegler, Steirischer Herbst

Uncertainty is killing me - though I read as much as I am willing to at this given moment, still I turn myself in the dark. I don’t know enough, I tell myself (Ref. Freud, Das Unheimliche) — asking foreign aids for relieving answers. Still going, going around in circles, reaching the same places day after day in search of a witch. I feel like I am my own sculptor and spectator, rendering not in clay or marble, but in the intangible substance of reverie I create.

I am so glad you’re happy and laughing, careless as ever, even though you lost a leg in these recurring fights in the past. This won’t last, I promise. If it does, believe me, it would feel glitchy… after all that’s what I’ve read. Because syntax is better for eternal love and forgiveness, though I am pleading for procrastination and denial. That's why I am levitating in supposedly heimelig surroundings all night. I see myself lying in bed, looking down, tapping triangulars while having the tv on, playing a movie about a murderdoll. Me almost like a disruptive entity — Not really grasping, more converging.

𝒢𝑒𝒹𝓊𝓃𝓀𝑒𝓁𝒻𝓁𝑜𝓍𝓍 𝒪𝒷𝓈𝒾𝒹𝒾𝒶𝓃 manifests as a dissonant echo in the structure of familiar yet paradoxically comforting realms, in the everyday. It embodies an enigma, a cryptic sensation that delineates a clash of fleeting forces. This phenomenon subtly infiltrates known landscapes – those pathways we tread in contemplation, or the mesmerizing venues that ensnare our senses – only to introduce a disquieting anomaly, an amorphous spirit condensing a nebulous darkness. Despite its ominous presence, it contains a deceptive allure, its shine a paradoxical siren call reminding of its presence even when not visible.

Yet, why does this entity manifest? It stands as a symbol, a sign of numerous unwelcome and unsettling realities, asserting itself with an unapologetic assertiveness. This entity possesses the serenity of natural havens: a grassy glade alive with a flock of insects in sunlight, a nocturnal forest draped in lunar serenity, or even the mundane normalcy of a residential driveway. What lingers in the psyche of the beholder are fragmented visions, ephemeral reminders of an unsettling occurrence that has scarred the landscape of consciousness time and time again.

𝕽𝕾𝕸𝕾

The 𝔏.𝔒.𝔇 or Level Of Detail (degree of completion or geometric level of detail and level of information) defines the necessary information content and level of detail of digital building models and components.

What is a Late-Onset Disease (𝔏.𝔒.𝔇)? Definition. Pathological conditions (Disorder, SYNDROME, or DISEASE) whose SIGNS AND SYMPTOMS manifest late in the life of an individual.

Linked Open Data (𝔏.𝔒.𝔇) refers to freely available data. Open networked data are all datasets that are made freely accessible without any restrictions for free use, redistribution and reuse in the interests of the general public.